Midlife Weddings and Goat Bladder Ballads


The wedding invitations are arriving, and I study each one using analytical, investigative skills that could qualify me for a reality show as an oracle. Future bliss or pending doom can be detected from the aura of the invitation. Here is some unsolicited but free advice from someone who has been around the punch bowl a few times.

1. Tiny script surrounded by gaudy illustrations of flowers, birds, and glittery ribbons means the couple is too young to get married and should opt instead for a Hello Kitty theme party. If I can’t read the words and the return address, I certainly can’t send a gift.

2. Don’t fill half the invitation by naming all the parents, step-parents, and significant others. We don’t care.

3. Don’t send cute but obnoxious invitations from your kids or pets or attorney. We can’t be fooled.

4. Don’t ask for money in lieu of gifts. I don’t need any more bills in the mail, and I’d probably send a check anyway but I want that to be MY idea.

5. After the second wedding, don’t send invitations to the sequel unless you’re providing a catered banquet and open bar. We’ll come for that.

6. Most midlife marriages are best announced after the ceremony and include an invitation to a joyful, raucous party that ends before midnight because we can’t dance until dawn anymore.

My husband and I met after we had raised children, established careers, and knew how to manage money. That means we had distinct advantages over most young couples. And, there were no in-law issues. Our one living parent has dementia and can’t remember our names, anyway.

Instead of attempting a traditional marriage, we eloped to the Greek island of Paros and stayed in a quaint resort near the Mediterranean Sea. Our hostess arranged an ancient wedding ceremony, complete with linen togas, laurel wreaths on our heads, and a priest who couldn’t speak English. Music was provided by a little one-eyed musician playing a goat bladder.

After the ceremony near a chapel overlooking the sea, we proceeded back to the resort. (Yes, I love the movie “Mama Mia” but we chose not to sing to each other on a narrow, windswept cliff.) Wine flowed and platters of homemade food passed among strangers who stopped to join the festivities. The resort owner gave us white almonds tied in mesh bags, saying in broken English that the gifts were usually given to encourage fertility, and we promised to keep trying. We ended the evening by dancing and laughing with people we’ll never see again.

Our wedding was perfect for us. The expenses for the trip were less than the cost of a traditional wedding, and we didn’t need any toasters or towels. Our grown children were sad they missed the event, but someday we’ll take them all back to Paros. I hope we can find the delightful musicians. Every marriage should be blessed with an authentic ballad played by a little one-eyed man with a goat bladder. That tradition has survived for centuries in Greece, and we know that, finally, our marriage will last, too.

– See more at: http://www.elaineambrose.com/blog/midlife-weddings-and-goat-bladder-ballads#sthash.dTkDHSHR.dpuf

Share this Post:

8 thoughts on “Midlife Weddings and Goat Bladder Ballads”

  1. Your wedding sounds wonderful! We were certainly much too young to get married, and had the giant ceremony my husband and my family wanted. I would have loved to elope. If I had it to do again, I’d insist. Greece sounds like the perfect place to do it.

  2. Everyone who gets married should have a wedding like that!

    Great post.

    BTW, what does a goat bladder sound like?

    1. Kathy: The Tsabouna is a type of bagpipe which is very popular on many of the Greek islands. It differs from the mainland bagpipe (or gaida) in that it does not have a separate, low-toned drone pipe. Instead, the Tsabouna has double pipes that are fingered at the same time. In other words, the musician plays two pipes at the same time. On some islands one of the pipes has 5 holes, while the other one has only two. This gives a simple “moving drone” sound. On this bagpipe from Kythnos, both pipes have the same number of holes, and the result is a melody which is played in unison on two pipes at the same time. The interesting thing is that the two pipes are usually somewhat out of tune with one another, and this gives a very interesting sound. The Tsabouna on Kythnos is usually played by shepherds and it is accompanied by the small drum, the toumbi. Sometimes a laouto will play a simple open chord, rhythmic accompaniment to the Tsabouna.

Comments are closed.